‘Bad Choices’ began as a meditative exercise. I was listening to music and letting my hand move without much intention. When I stopped and really looked at what was happening on the surface, I wasn’t immediately happy with it.
Instead of abandoning it, I stayed with the piece—adding, adjusting, responding to what was already there. The painting slowly found its own direction through layering and revision. What emerged surprised me, and by the end, it felt resolved in a way I couldn’t have planned from the start.
This work is part of my Without Words body of work.
This original artwork is now in a private collection.
