‘Impressed’

‘Impressed’ focuses on a skeletal figure rendered through a loose, expressionist approach where gesture and color take precedence over precision. The figure feels caught mid-presence—less a symbol than a moment—allowing the emotional charge of the paint itself to do the work.

Shifts between bright and dark passages create visual pressure across the surface, pulling the eye back and forth between intensity and restraint. Rather than aiming for spectacle, the contrast builds a slow tension that rewards sustained looking.

In ‘Impressed’, skeletal form becomes a framework for studying mood and force—how minimal structure can hold weight, and how expression can emerge through economy rather than excess.